Shari Creates

Books, languages, things I make and notes from everyday life.

Month: February 2025

  • The Red Palace by June Hur – Murder, Palace Intrigue and a Romance I Actually Liked

    The Red Palace by June Hur – Murder, Palace Intrigue and a Romance I Actually Liked

    After reading A Crane Among Wolves, I wanted more June Hur.

    One of the reasons I started reading her books in the first place was that I wanted historical fiction and romance outside the usual Regency and Victorian settings. I have read enough about drawing rooms, dukes and English society for a while. Give me somewhere else.

    Joseon Korea works particularly well for me because I have watched so many Korean historical dramas that I already have the whole visual world sitting inside my head.

    And The Red Palace gave me plenty to work with.

    Hyeon is a young palace nurse whose mentor becomes a suspect after four women are murdered in a single night. She begins investigating with Eojin, a young police inspector, and before long their investigation starts getting dangerously close to the royal family.

    The palace-nurse setting immediately gave me Dae Jang Geum vibes.

    The stories aren’t the same, obviously, but there was something very familiar about following a woman working within the palace, surrounded by court officials, strict hierarchies, medicine, rules and powerful people who could ruin your life without much effort.

    I could see everything.

    The palace corridors. The courtyards. The clothes. The officials. The nurses moving around the palace.

    At times it felt less like reading a book and more like watching another Joseon-era drama in my head.

    And then there was Eojin.

    I really liked Eojin.

    He and Hyeon work together on the investigation, so they have perfectly legitimate reasons to keep meeting, but gradually their relationship becomes something more. I liked the quiet courtship of it – those little meetings and gestures where it becomes increasingly obvious that this isn’t purely about solving murders anymore.

    The romance doesn’t overwhelm the mystery either, which is probably why it worked so well for me. I got the investigation and palace intrigue I wanted, but I also got enough romantic development to become invested in Hyeon and Eojin as a couple.

    And importantly, it actually goes somewhere.

    They choose each other, and the ending gave me the romantic payoff I wanted.

    Thank you. ๐Ÿ˜‚

    I think that may be why The Red Palace left me more satisfied than A Crane Among Wolves. I enjoyed that book too, but this one felt more complete to me.

    The murder mystery kept things moving, the Joseon palace setting was exactly my kind of thing, Hyeon was easy to root for, and Eojin was the sort of romantic hero I actually enjoy.

    Historical murder mystery.

    Joseon palace intrigue.

    A competent inspector.

    Slow-burn courtship.

    And an ending that didn’t leave me asking, “That’s it?”

    Apparently that is how you get five stars from me.

    5/5

  • Ruthless Vows by Rebecca Ross โ€” A Happy Ending, But Not Without a Cost

    Ruthless Vows by Rebecca Ross โ€” A Happy Ending, But Not Without a Cost

    Spoiler warning: This review discusses major plot points, character deaths and the ending.

    I went into Ruthless Vows almost immediately after Divine Rivals, so by this point I had accepted that yes, this was a world where ancient gods were at war and everybody else had been unfortunate enough to get caught in the middle of it.

    And strangely, once I stopped resisting that part of the story, I enjoyed it much more.

    The gods themselves still weren’t really what I was there for. I was there for Iris and Roman.

    Especially after the way Divine Rivals ended.

    They had finally found each other, fallen in love and even married โ€” only for the war to separate them almost immediately. So Ruthless Vows begins with exactly the sort of situation designed to make me miserable: Iris doesn’t know what has happened to Roman, Roman is alive but no longer quite himself, and the two of them have to somehow find their way back to each other.

    Naturally, I was invested.

    What I liked about this book was that Rebecca Ross didn’t save every bit of happiness for the last five pages.

    Iris and Roman had already chosen each other. They were already married. Their relationship wasn’t being dangled in front of me as some reward I might get if I survived another four hundred pages.

    Instead, the question became whether they would actually get the chance to have the life they had chosen.

    That worked much better for me.

    And when they finally found their way back to each other, it had that bittersweet feeling I tend to like in stories about war. You want the people you care about to survive. You want them to get home. You want the happy ending.

    But if everyone walks away perfectly fine, then what was the point of putting them through a war in the first place?

    Rebecca Ross didn’t do that.

    Iris had already lost her mother in the first book. In this one, she loses Forest.

    And Sarah.

    That hurt.

    Especially because Sarah and Forest had found something with each other before they died. There was something particularly cruel about that โ€” two people finding a little bit of happiness in the middle of all this destruction, only for the war to take them anyway.

    But I also think the story needed losses like that.

    I love happy endings. I really do.

    I am not asking authors to destroy everybody I care about just to prove that their story is serious.

    But I also don’t want a war story where every important character miraculously survives because the author doesn’t want to upset anyone.

    Then it stops feeling like war.

    Someone doesn’t come home.

    Someone who was loved is missing from the ending.

    Someone else has to keep living with that.

    That sadness sitting beside Iris and Roman’s happiness is probably one of the reasons the ending worked so well for me.

    They get each other back.

    They survive.

    They have a future.

    But it costs them something.

    By the end, I had also become much more comfortable with the universe itself. The mixture of old-fashioned technology, newspapers, typewriters and magic that I liked in Divine Rivals was still there, and now that I had accepted the whole gods-at-war business, I could simply enjoy the story instead of wondering why I wasn’t more interested in the mythology.

    Maybe I just needed one entire book to get used to it. ๐Ÿ˜‚

    Whatever happened, Ruthless Vows worked for me in a way Divine Rivals didn’t quite manage.

    The romance had more weight because Iris and Roman had something real to lose.

    The war finally felt personal rather than just mythological.

    And the ending gave me what I wanted without making everything conveniently perfect.

    Happy.

    Sad.

    A little unfair.

    But hopeful.

    That’s probably exactly how a story like this should end.

    5/5