Shari Creates

Books, languages, things I make and notes from everyday life.

Tag: Featured

  • Behind Five Willows by June Hur — Book Review

    Behind Five Willows by June Hur — Book Review

    Behind Five Willows
    In Joseon-era Korea, an illegal book transcriber and a secret novelist exchange letters without knowing they dislike each other in real life.

    My rating: 5 out of 5 stars

    Behind Five Willows is a historical young-adult romance set in Korea during the Joseon era. At its centre are Haewon, an illegal book transcriber, and Seojun, a nobleman who secretly writes fiction at a time when the government is banning books. Their lives become entangled when Haewon’s older sister falls in love with Seojun’s best friend, forcing Haewon and Seojun to accompany the couple during their courtship.

    Their first impressions of each other are not favourable. Haewon finds Seojun arrogant and irritating, while he is equally quick to judge her. What neither of them initially realises is that they already know another side of each other through the letters they have exchanged anonymously.

    That part immediately reminded me of You’ve Got Mail, one of my favourite films. In the film, the two main characters enjoy writing to each other without knowing that they are rivals—and that they dislike each other—in real life. I have always liked that contrast: two people can understand each other intimately through their words while completely misreading one another face to face.

    Of course, You’ve Got Mail is itself a variation on a much older romantic structure, and Behind Five Willows openly draws from Pride and Prejudice, another of my all-time favourites. Haewon and Seojun have their own version of Elizabeth Bennet and Mr Darcy’s problem: both are intelligent and observant, but neither is as accurate a judge of the other as they believe. Their relationship changes gradually as they see beyond social position, pride and their original assumptions.

    The Joseon setting prevents the novel from feeling like a simple retelling. Reading and writing are not merely shared interests for Haewon and Seojun. Because of government censorship, books can place their livelihoods and reputations at risk. Haewon’s work as a transcriber also gives us a glimpse of how stories were copied and circulated when access to them was restricted. The historical setting therefore shapes both the romance and the choices available to the characters.

    I also enjoyed the characters beyond the central couple. Their family obligations and differences in social status are not decorative complications; they influence what each person is permitted to do and how easily a mistake can affect an entire family. At the same time, the book does not become weighed down by its historical and political themes.

    One of its strongest qualities is that it is an easy read. The story moves smoothly, the romance develops naturally, and the historical details are incorporated without making the book feel like a lesson. It has enough substance to make the setting meaningful, but it remains warm and accessible.

    For me, Behind Five Willows combined several things I already love: the misunderstandings of Pride and Prejudice, the anonymous correspondence of You’ve Got Mail, and a historical setting that was much less familiar to me. The result felt recognisable without being repetitive.

    I gave it five stars because it was simply a pleasure to read.

  • Until the End of the World by Sarah Lyons Fleming — Book Review

    Until the End of the World by Sarah Lyons Fleming — Book Review

    Until the End of the World by Sarah Lyons Fleming book cover
    When a zombie outbreak reaches Brooklyn, Cassie Forrest and her friends flee for the relative safety of her late survivalist parents’ cabin. Escaping the city is only the beginning as the group faces the infected, dangerous survivors and unresolved personal relationships.

    My rating: ★★★☆☆

    There is something especially unsettling about a zombie story that begins in a familiar, ordinary place. In Until the End of the World, Cassie and her friends must escape Brooklyn after an outbreak turns everyday life into a fight for survival. With the dead walking and society rapidly collapsing, it has all the ingredients for a tense apocalypse story.

    I enjoy character-driven survival stories. The relationships between survivors matter because they give us a reason to care whether anyone makes it through. Reminiscing about the old world can also make the losses feel real. Here, though, those elements occupied so much of the story that they began to weaken the danger surrounding the characters.

    There were long stretches devoted to memories, romantic feelings and unresolved relationships when I wanted more urgency. The characters are supposedly living through the end of civilisation, with dead people walking around and trying to take bites out of the living, yet they frequently seem more concerned with romantic navel-gazing.

    Hellooo? Zombie apocalypse?

    The final straw for me was Cassie becoming involved in pairing her recent ex with her best friend’s younger sister. Perhaps Cassie had never truly loved him, and some readers may see nothing uncomfortable about the situation. I did. It felt strange and far too entangled for me—especially when the characters had rather more immediate problems involving the collapse of civilisation and the walking dead.

    The survival preparations and journey away from Brooklyn gave the story a promising foundation. Cassie’s family background also makes her more prepared than the average person suddenly thrown into an outbreak. Those details helped keep me interested, and the book was readable enough that I never disliked it completely.

    My frustration came from the contrast between the scale of the catastrophe and the emotional tone. The stakes should have felt enormous, but the repeated focus on relationship drama made them seem strangely distant. I wanted the zombies and the collapse of society to drive the story, with the personal relationships developing naturally under that pressure—not competing with it for attention.

    I gave Until the End of the World three stars. The survival premise had potential, but the emphasis on romantic discussion and complicated personal relationships was not what I wanted from the story. Although this is the first book in a series, I could not bring myself to continue beyond it.

    Readers who enjoy relationship-focused apocalypse stories may connect with it much more than I did. Personally, I needed more survival horror, more urgency and considerably less time spent contemplating who still has feelings for whom while the dead are walking.

    Recommended for: Readers who enjoy character-focused post-apocalyptic fiction, found-family dynamics and romance alongside their zombies.

    Perhaps not for you if: You want a tense, horror-heavy zombie story in which survival takes precedence over relationship drama.

  • Adrian’s Undead Diary by Chris Philbrook — Series Review

    Adrian’s Undead Diary by Chris Philbrook — Series Review

    Adrian’s Undead Diary — Original Eight-Book Arc
    Adrian Ring records his survival through a zombie apocalypse as he gathers supplies, builds a community and confronts threats from both the living and the dead.

    Overall rating: 4 out of 5 stars

    This review covers the original eight-book Adrian’s Undead Diary arc, beginning with Dark Recollections and ending with Cassie.

    I first listened to the series through Audible. There was a deal on the first four books—or at least the first part of the series—and the audiobook format suited the story particularly well. Because Adrian records what happens to him in diary entries, listening to the books felt almost as though he were personally recounting his experiences. It made the story immersive from the beginning.

    The series follows Adrian Ring as he tries to survive a zombie apocalypse. It begins on a relatively small scale: finding somewhere defensible, gathering food and weapons, clearing buildings and working out whom to trust. These practical survival details were one of the main reasons I kept reading. The books spend time on the everyday problems of surviving after society has collapsed, rather than treating supplies and security as matters that simply resolve themselves between action scenes.

    What held my interest even more was the community that gradually developed around Adrian. He begins in isolation, but the story slowly becomes about more than one man surviving. New people arrive, relationships form and the group has to make decisions about how to protect what they are building. I became interested not only in whether Adrian would live, but in what kind of society these survivors could create.

    Humour is another major part of the series. Adrian is crude, sarcastic and often very funny. In the earlier books, his humour softens the horror and makes the violence easier to tolerate. A straightforward account of zombies, death and constant danger could have become oppressive, but Adrian’s voice gives the story energy and personality.

    However, the same humour became increasingly irritating to me towards the end. There are moments when the characters are facing serious danger or emotionally significant events, yet someone still makes a joke. I understand that people sometimes use humour to cope with fear, and the diary format means Adrian is recounting events after they happened. Even so, not every tense moment needs to be defused. Sometimes a scene needs to remain frightening or painful long enough for its emotional weight to settle. When the jokes became too constant, they weakened moments that should have felt more serious.

    My reaction to the wider storyline also changed as the series progressed. The early books concentrate heavily on survival, zombies and human threats. Later, the explanation behind the apocalypse expands into a much more overtly supernatural conflict involving good, evil and humanity’s fate. This is not exactly magic in the fantasy sense, but it moves the series away from grounded survival horror and towards a cosmic struggle.

    That development will probably appeal to readers who want an explanation for why the dead rose and who enjoy a larger mythology behind a zombie story. For me, it was less satisfying than the earlier focus on survival and community-building. By the final book, the series had moved quite far from what originally drew me into it, and I was not entirely happy with the conclusion.

    My ratings reflect that progression. I gave the first two books five stars, Books 3 through 7 four stars, and the eighth book three stars. So although my overall rating is four stars, it was not a consistently four-star experience. I loved the beginning considerably more than the ending.

    Despite my reservations, I read all eight books in less than two weeks. That says something about how absorbing the series could be. The diary structure, detailed survival elements, developing community and audiobook experience kept me involved even when the humour and supernatural storyline began to work against it.

    I would recommend the original Adrian’s Undead Diary arc to readers who enjoy character-driven zombie fiction, detailed survival planning and a protagonist whose humour makes a brutal world more manageable. Just be aware that the story eventually becomes much more supernatural than its opening books initially suggest.