Shari Creates

Books, languages, things I make and notes from everyday life.

Tag: Featured

  • A Hazard of Hearts

    A Hazard of Hearts

    Book cover of A Hazard of Hearts by Barbara Cartland
    Serena Staverley is left in a precarious position after her father gambles away the family estate and her future to Lord Harry Wrotham. Lord Justin Vulcan, a formidable and famously successful gambler, wins Staverley Court and Serena’s fate from Wrotham. Serena initially fears the reserved and intimidating Vulcan, but as family intrigue, danger and secrets unfold around them, she gradually discovers that his reputation does not tell the whole story.

    This is going to be slightly unfair as a book review, because I cannot talk about A Hazard of Hearts without talking about the 1987 adaptation too. For me, the two have become almost inseparable. I watched the movie first, and this is one of those very rare cases where I can honestly say that the adaptation is as good as the book.

    The story follows Serena Staverley, whose father has gambled away the family fortune. In one final disastrous wager against Lord Harry Wrotham, he loses Staverley Court and effectively Serena’s future as well. Yup, the bugger wagered his own daughter thinking he could overturn his bad luck and win back everything. Lord Justin Vulcan then challenges Wrotham and wins everything from him. It is an outrageous setup even by old-fashioned historical-romance standards, but it also means that Vulcan, in a very strange way, has actually helped Serena. He has taken her out of Wrotham’s hands rather than being the man who engineered her father’s ruin.

    Serena naturally has every reason to be wary of Vulcan. He has a formidable reputation: serious, reserved, not particularly talkative, and apparently blessed with the luck of the devil at the gaming table. He seems like the sort of man who simply does not lose. Looking back, he has rather strong Mr Darcy vibes. The interesting part, though, is that his behaviour keeps contradicting the frightening reputation. He does not treat Serena as though she is part of his winnings, he does not take advantage of the situation, and little by little he proves himself respectable, dependable and trustworthy.

    That is what makes the romance work for me. Serena does not suddenly fall for him simply because he is handsome (though Marcus Gilbert was handsome in the movie 😍) , mysterious or powerful. He earns her trust first. So while the story definitely has enemies-to-lovers vibes, I would probably describe it more accurately as distrust-to-love: wariness, observation, trust and then attraction.

    And then, of course, there is the movie. Because I watched it before reading the book, Helena Bonham Carter became Serena in my imagination and Marcus Gilbert became Lord Vulcan. Their chemistry was the bomb. There really is no more sophisticated way for me to put it. 😂 Helena Bonham Carter gave Serena exactly the right combination of youthfulness, pride and innocence, while Marcus Gilbert had the serious, controlled presence Vulcan needed. Together, they just worked.

    And when Vulcan says, “Shall I make you fall in love with me, Serena?” I said: YESS!!!

    The supporting characters were excellent too. Diana Rigg was wonderfully memorable as Vulcan’s mother, Lady Harriet, who is a real character in her own right: dramatic, controlling and very much a force to be reckoned with. Edward Fox was also excellent as Lord Wrotham. The whole production felt much richer than a simple television romance, and one of the reasons it works so well for me is that, as I remember it, the adaptation stayed quite true to the book. The characters, atmosphere and even memorable lines carried across to the screen.

    I finally found a copy of the novel in 2008 through eBay, from a secondhand bookseller in the US. I had already been looking for it for quite a while, so actually getting hold of it felt like finding something I had been chasing for years. And thankfully, the book lived up to the movie.

    In fact, watching the adaptation first helped my reading experience. I already had Serena and Vulcan clearly formed in my imagination, and instead of finding that limiting, I enjoyed having Helena Bonham Carter and Marcus Gilbert accompanying me through the story. The novel itself is wonderfully dramatic: gambling, family intrigue, danger, secrets, villains and plenty of romantic tension. It is exactly the sort of unapologetically old-fashioned romantic adventure that Barbara Cartland did so well.

    For once, I do not feel the need to choose between the book and the adaptation. I love both. The movie made me want to find the novel, and the novel gave me more of a story I had already fallen for.

  • Behind Five Willows by June Hur — Book Review

    Behind Five Willows by June Hur — Book Review

    Behind Five Willows
    In Joseon-era Korea, an illegal book transcriber and a secret novelist exchange letters without knowing they dislike each other in real life.

    My rating: 5 out of 5 stars

    Behind Five Willows is a historical young-adult romance set in Korea during the Joseon era. At its centre are Haewon, an illegal book transcriber, and Seojun, a nobleman who secretly writes fiction at a time when the government is banning books. Their lives become entangled when Haewon’s older sister falls in love with Seojun’s best friend, forcing Haewon and Seojun to accompany the couple during their courtship.

    Their first impressions of each other are not favourable. Haewon finds Seojun arrogant and irritating, while he is equally quick to judge her. What neither of them initially realises is that they already know another side of each other through the letters they have exchanged anonymously.

    That part immediately reminded me of You’ve Got Mail, one of my favourite films. In the film, the two main characters enjoy writing to each other without knowing that they are rivals—and that they dislike each other—in real life. I have always liked that contrast: two people can understand each other intimately through their words while completely misreading one another face to face.

    Of course, You’ve Got Mail is itself a variation on a much older romantic structure, and Behind Five Willows openly draws from Pride and Prejudice, another of my all-time favourites. Haewon and Seojun have their own version of Elizabeth Bennet and Mr Darcy’s problem: both are intelligent and observant, but neither is as accurate a judge of the other as they believe. Their relationship changes gradually as they see beyond social position, pride and their original assumptions.

    The Joseon setting prevents the novel from feeling like a simple retelling. Reading and writing are not merely shared interests for Haewon and Seojun. Because of government censorship, books can place their livelihoods and reputations at risk. Haewon’s work as a transcriber also gives us a glimpse of how stories were copied and circulated when access to them was restricted. The historical setting therefore shapes both the romance and the choices available to the characters.

    I also enjoyed the characters beyond the central couple. Their family obligations and differences in social status are not decorative complications; they influence what each person is permitted to do and how easily a mistake can affect an entire family. At the same time, the book does not become weighed down by its historical and political themes.

    One of its strongest qualities is that it is an easy read. The story moves smoothly, the romance develops naturally, and the historical details are incorporated without making the book feel like a lesson. It has enough substance to make the setting meaningful, but it remains warm and accessible.

    For me, Behind Five Willows combined several things I already love: the misunderstandings of Pride and Prejudice, the anonymous correspondence of You’ve Got Mail, and a historical setting that was much less familiar to me. The result felt recognisable without being repetitive.

    I gave it five stars because it was simply a pleasure to read.

  • Adrian’s Undead Diary by Chris Philbrook — Series Review

    Adrian’s Undead Diary by Chris Philbrook — Series Review

    Adrian’s Undead Diary — Original Eight-Book Arc
    Adrian Ring records his survival through a zombie apocalypse as he gathers supplies, builds a community and confronts threats from both the living and the dead.

    Overall rating: 4 out of 5 stars

    This review covers the original eight-book Adrian’s Undead Diary arc, beginning with Dark Recollections and ending with Cassie.

    I first listened to the series through Audible. There was a deal on the first four books—or at least the first part of the series—and the audiobook format suited the story particularly well. Because Adrian records what happens to him in diary entries, listening to the books felt almost as though he were personally recounting his experiences. It made the story immersive from the beginning.

    The series follows Adrian Ring as he tries to survive a zombie apocalypse. It begins on a relatively small scale: finding somewhere defensible, gathering food and weapons, clearing buildings and working out whom to trust. These practical survival details were one of the main reasons I kept reading. The books spend time on the everyday problems of surviving after society has collapsed, rather than treating supplies and security as matters that simply resolve themselves between action scenes.

    What held my interest even more was the community that gradually developed around Adrian. He begins in isolation, but the story slowly becomes about more than one man surviving. New people arrive, relationships form and the group has to make decisions about how to protect what they are building. I became interested not only in whether Adrian would live, but in what kind of society these survivors could create.

    Humour is another major part of the series. Adrian is crude, sarcastic and often very funny. In the earlier books, his humour softens the horror and makes the violence easier to tolerate. A straightforward account of zombies, death and constant danger could have become oppressive, but Adrian’s voice gives the story energy and personality.

    However, the same humour became increasingly irritating to me towards the end. There are moments when the characters are facing serious danger or emotionally significant events, yet someone still makes a joke. I understand that people sometimes use humour to cope with fear, and the diary format means Adrian is recounting events after they happened. Even so, not every tense moment needs to be defused. Sometimes a scene needs to remain frightening or painful long enough for its emotional weight to settle. When the jokes became too constant, they weakened moments that should have felt more serious.

    My reaction to the wider storyline also changed as the series progressed. The early books concentrate heavily on survival, zombies and human threats. Later, the explanation behind the apocalypse expands into a much more overtly supernatural conflict involving good, evil and humanity’s fate. This is not exactly magic in the fantasy sense, but it moves the series away from grounded survival horror and towards a cosmic struggle.

    That development will probably appeal to readers who want an explanation for why the dead rose and who enjoy a larger mythology behind a zombie story. For me, it was less satisfying than the earlier focus on survival and community-building. By the final book, the series had moved quite far from what originally drew me into it, and I was not entirely happy with the conclusion.

    My ratings reflect that progression. I gave the first two books five stars, Books 3 through 7 four stars, and the eighth book three stars. So although my overall rating is four stars, it was not a consistently four-star experience. I loved the beginning considerably more than the ending.

    Despite my reservations, I read all eight books in less than two weeks. That says something about how absorbing the series could be. The diary structure, detailed survival elements, developing community and audiobook experience kept me involved even when the humour and supernatural storyline began to work against it.

    I would recommend the original Adrian’s Undead Diary arc to readers who enjoy character-driven zombie fiction, detailed survival planning and a protagonist whose humour makes a brutal world more manageable. Just be aware that the story eventually becomes much more supernatural than its opening books initially suggest.